Shooting Pano LA has been the most ambitious, challenging, demanding, and rewarding project the author have worked on to date. It was shot over a period of two years entirely in true panoramic form using two synced DSLR cameras side by side.
Video by: SCIENTIFANTASTIC
– Canon EOS 5D Mark III (2)
– Canon 24-70mm, 24-105mm, and 70-200mm lenses
– Custom Build Panoramic Rig
– Custom Dual Trigger Intervalometer
– Kessler Crane TLS with Second Shooter
Lowercase Noises – Death in a Garden
A little more info:
Author is speaking: “The resulting panoramic timelapse footage comes in at a whopping 10K x 4K resolution when stitched. I did not shoot this film to achieve the extreme resolution. I shot it for the panoramic look, especially the compressed look you get when using long lenses.
Shooting panoramic timelapse was something I had always wanted to do. I love panoramic images and wanted to bring that look to timelapse, and I wanted to do it proper, not by faking it by just cropping the top and bottom of regular timelapse shots. I gave it a try many years ago but was never able to get the images from the two cameras to sync properly and get the images to stitched together correctly.
A couple years ago I was contacted by a client wanting some panoramic timelapse shots of LA. I told them I had tried it in the past and it did not work out to well, but that I am willing to give it another try. So I purchased some new gear and set out to my local testing locations in Malibu. The initial shots were successful so I continued shooting / testing for the next couple weeks. At that point I had acquired a few good test shots to show the client and sent them over to them. Long story short I never heard back from them about the project, but I kept shooting anyways. If it was not for that failed job/project I probably would have never got around to giving panoramic timelapse another try.”
Top notch of HDR timelapse. 2 years of work… 2 years! Not 2 days. You see the results.